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If it had not been for Fan Jinshi and her team，the world cultural heritage at Dunhuang Mogao Grottoes in a remote Chinese desert might have long been destroyed by sand，weather or humans.
   Born and raised in Shanghai，F(xiàn)an has spent half a century fighting an uphill battle to preserve the ancient Buddhist wall painting at Dunhuang，in Northwest China's Gansu Province.The 1651-year-old Dunhuang Mogao Grottoes are a huge collection of Buddhist art—more than 2，000 buddha figures and 45，000 square meters of paintings spread among 735 caves.It is China's first UNESCO World Heritage Site.
   Archaeologist Fan was sent to Dunhuang after graduation from Peking University in 1963.While in Dunhuang，a remote village in the desert then，F(xiàn)an lived in an abandoned（廢棄的） temple.At first，she did not even dare to go out to the toilet at night.To protect the treasures from sand and dampness，F(xiàn)an and other workers put doors on the caves，planted trees and started monitoring temperature and humidity（濕度） in the caves.They also controlled the number of visitors.
   In the late 1990s，with tourism booming（增長） nationwide since national holidays were extended，the local government planned to go public with Dunhuang Mogao Grottoes，but found Fan firmly in their way. "The heritage would have been destroyed if it had been listed，" she said.
   Dunhuang Academy has now photographed and cataloged（編入目錄） online all the sculptures and paintings. "Despite our efforts to minimize damage，we can't completely stop them from being eroded（侵蝕）.But the digital database will last. "
   Fan was grateful when her husband joined her in Dunhuang in 1986 after 19 years of separation.Her two sons grew up in Shanghai with their aunt. "I have not been a good mother or wife.With regard to my family，I'm full of guilt，" she said.Fan，79，retired two years ago as the director of Dunhuang Academy but continues her efforts as a national political adviser.

（1）Which of the following measures didn't Fan Jinshi take to protect Dunhuang Mogao Grottoes？
A
A

A．Opening Dunhuang Mogao Grottoes to the general public .
B．Planting trees and stopping the Dunhuang Mogao Grottoes being eroded.
C．Picturing and classifying all the sculptures and paintings online.
D．Putting doors on the caves and monitoring temperature and humidity.
（2）When was Fan separated from her husband？
B
B

A．In 1963.
B．In 1967.
C．In 1986.
D．In the late 1990s.
（3）The phrase "in their way" in Paragraph 4 means
C
C
.
A．Go to a place.
B．Be in favor of something.
C．Reject something.
D．Give in to something.
（4）What kind of person do you think Fan is？
D
D

A．Careful and easy-going.
B．kind and clever.
C．Humorous and sweet-tempered.
D．Devoted and persistent.

【考點(diǎn)】社會(huì)；議論文．

【答案】A；B；C；D

【解答】

【點(diǎn)評】

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發(fā)布：2024/5/27 14:0:0組卷：1引用：1難度：0.5

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1．Every year，thousands of teenagers participate in programs at their local art museums.But do any of them remember their time at museum events later in life？A new report suggests that the answer is yes—and finds that arts-based museum programs are credited with changing the course of alumni's（畢業(yè)生的）lives，even years after the fact.
   The Whitney Museum of American Art，the Walker Art Center and the Museum of Contemporary Art，Los Angeles recently asked researchers to conduct a study to find out how effective their long-standing teen art programs really are.They involved over 300 former participants of four programs for teens that have been in existence since the 1990s.Alumni，whose current ages range from 18 to 36，were invited to find out how they viewed their participation years after the fact.
   Among the alumni surveyed，75 percent of them thought the teen art program experience had the most favorable impact on their own lives，beating the family，school and their neighborhoods.Nearly 55 percent thought that it was one of the most important experiences they'd ever had，regardless of age.And two-thirds said that they were often in situations where their experience in museums affected their actions or thoughts.
   It turns out that participating in art programs also helps keep teens enthusiastic about culture even after they reach adulthood：Ninety-six percent of participants had visited an art museum within the last two years，and 68 percent had visited an art museum five or more times within the last two years.Thirty-two percent of alumni work in the arts as adults.
   Though the study is the first of its kind to explore the impact of teen-specific art programs in museums，it reflects other research on the important benefits of engaging with the arts.A decade of surveys by the National Endowment for the Arts found that the childhood experience with the arts is significantly associated with people's income and educational attainments（成就）as adults.Other studies have linked arts education to everything from lower dropout rates to improvement in critical thinking skills.

（1）Why were the researchers asked to conduct the study？

A．To change the course of alumni's lives.
B．To introduce the art museums.
C．To find out how effective the long-standing teen art programs are.
D．To invite people to participate in the art programs.
（2）What do the figures in Paragraph 3 show？

A．Students are more influenced by the family and school.
B．Teen art programs in museums are highly beneficial.
C．Many teens fail to realize the great value of art programs.
D．Most experiences in museums are boring for today's teens.
（3）What does Paragraph 4 tell us about art programs？

A．They create adults who are culturally aware.
B．They are intended to attract more adults.
C．They are designed to support art museums.
D．They provide many job opportunities for adults.
（4）What do the studies mentioned in the last paragraph have in common？

A．All suggest the need to improve museum programs.
B．All show the growing popularity of art programs.
C．All focus on the link between art and education.
D．All prove the good effects of art education.
發(fā)布：2024/11/15 3:0:1組卷：12引用：2難度：0.5
解析
2．The British are known for their sense of humour.However，it is often difficult for foreigners to understand their jokes.The main point to remember is that the British often use understatement.
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（1）Why is it difficult for foreigners to understand British jokes？

A．The British often enlarge the fad.
B．British jokes are connected with many different cultures.
C．The British try to make out that something is less important than it is.
D．British jokes are not as funny as jokes in other countries.
（2）How does the author explain understatement？

A．By using examples.
B．By making comparisons.
C．By following time order.
D．By describing a process.
（3）How does Mr Bean make people laugh？

A．By telling funny stories.
B．By making jokes about others' accents.
C．By copying how others behave.
D．By using his body movements and facial expressions.
（4）What can be the best title for the text？

A．British Humour in Comedy
B．Humour in Different Cultures
C．Developing Your Sense of Humour
D．Understanding British Humour
發(fā)布：2024/11/15 2:30:2組卷：27引用：3難度：0.5
解析
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   On a large scale，traditional food is an important part of culture.It also operates as an expression of culture identity.Immigrants bring it wherever they go，and it is a symbol of pride for their culture and means of coping with homesickness.
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（1）What's the function of food mentioned in the text？

A．To help motivate homesickness.
B．To show national identity.
C．To reflect a country's history.
D．To show a community's superiority.
（2）What does the underlined "it" in Paragraph 2 refer to？

A．The specific traditional food.
B．The national culture.
C．A traditional expression of food.
D．The old-fashioned taste.
（3）Why do some immigrants have to change the original dishes in their restaurant？

A．To attach cultural importance to their dishes.
B．To announce the beginning of their life on foreign soil.
C．To make the dishes popular among customers.
D．To present their own food culture in a new way.
（4）What's the author's attitude towards different food cultures？

A．Negative.
B．Balanced.
C．Unfair.
D．Unchangeable.
發(fā)布：2024/11/14 23:0:2組卷：9引用：1難度：0.5
解析

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